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Among
the best brief masterpieces of fiction are Lytton's
The
Haunters
and the Haunted, and Thackeray's Notch on the Axe in
Roundabout
Papers.* Both deal with a mysterious being who
passes
through
the ages, rich, powerful, always behind the scenes,
coming
no man
knows whence, and dying, or pretending to die,
obscurely--
you
never find authentic evidence of his disease. In
other later
times,
at other courts, such an one reappears and runs the
same
course
of luxury, marvel, and hidden potency.
* Both
given in the accompanying volume containing
"Old Time
English"
Stories. See also the first story in the "North
Europe"
volume.--Editor.
Lytton
returned to and elaborated his idea in the Margrave
of A
Strange
Story, who has no "soul," and prolongs his
physical and
intellectual
life by means of an elixir. Margrave is not bad, but
he is
inferior to the hero, less elaborately designed, of
The
Haunters
and the Haunted. Thackeray's tale is written in a
tone of
mock
mysticism, but he confesses that he likes his own
story, in
which
the strange hero through all his many lives or
reappearances,
and
through all the countless loves on which he
fatuously plumes
himself,
retains a slight German-Jewish accent.
It
appears to me that the historic original of these
romantic
characters
is no other than the mysterious Comte de Saint-Germain--
not, of
course, the contemporary and normal French soldier
and
minister,
of 1707-1778, who bore the same name. I have found
the
name,
with dim allusions, in the unpublished letters and
MSS. of
Prince
Charles Edward Stuart, and have not always been
certain
whether
the reference was to the man of action or to the man
of
mystery.
On the secret of the latter, the deathless one, I
have no
new
light to throw, and only speak of him for a single
reason.
Aristotle
assures us, in his Poetics, that the best-known
myths
dramatized
on the Athenian stage were known to very few of the
Athenian
audience. It is not impossible that the story of
Saint-
Germain,
though it seems as familiar as the myth of Oedipus
or
Thyestes,
may, after all, not be vividly present to the memory
of
every
reader. The omniscent Larousse, of the Dictionnaire
Universel,
certainly did not know one very accessible fact
about
Saint-Germain,
nor have I seen it mentioned in other versions of
his
legend. We read, in Larousse, "Saint-Germain is
not heard of
in
France before 1750, when he established himself in
Paris. No
adventure
had called attention to his existence; it was only
known
that he
had moved about Europe, lived in Italy, Holland, and
in
England,
and had borne the names of Marquis de Monteferrat,
and of
Comte
de Bellamye, which he used at Venice."
Lascelles
Wraxall, again, in Remarkable Adventures (1863),
says:
"Whatever
truth there may be in Saint-Germain's travels in
England
and the
East Indies, it is undubitable that, for from 1745
to 1755,
he was
a man of high position in Vienna," while in
Paris he does
not
appear, according to Wraxall, till 1757, having been
brought
from
Germany by the Marechal de Belle-Isle, whose
"old boots," says
Macallester
the spy, Prince Charles freely damned, "because
they
were
always stuffed with projects." Now we hear of
Saint-Germain,
by that
name, as resident, not in Vienna, but in London, at
the
very
moment when Prince Charles, evading Cumberland, who
lay with
his
army at Stone, in Staffordshire, marched to Derby.
Horace
Walpole
writes to Mann in Florence (December 9, 1745):
"We
begin to take up people . . . the other day they
seized an odd
man who
goes by the name of Count Saint-Germain. He has been
here
these
two years, and will not tell who he is, or whence,
but
professes
that he does not go by his right name. He sings,
plays
on the
violin wonderfully, composes, is mad, and not very
sensible.
He is
called an Italian, a Spaniard, a Pole; a somebody
that
married
a great fortune in Mexico, and ran away with her
jewels to
Constantinople;
a priest, a fiddler, a vast nobleman. The Prince
of
Wales has had unsatiated curiosity about him, but in
vain.
However,
nothing has been made out against him; he is
released,
and,
what convinces me he is not a gentleman, stays here,
and talks
of his
being taken up for a spy."
Here is
our earliest authentic note on Saint-Germain; a note
omitted
by his French students. He was in London from 1743
to
1745,
under a name not his own, but that which he later
bore at the
Court
of France. From the allusion to his jewels (those of
a
deserted
Mexican bride), it appears that he was already as
rich in
these
treasures as he was afterwards, when his French
acquaintances
marveled
at them. (As to his being "mad," Walpole
may refer to
Saint-Germain's
way of talking as if he had lived in remote ages,
and
known famous people of the past).
Having
caught this daylight glimpse of Saint-Germain in
Walpole,
having
learned that in December, 1745, he was arrested and
examined
as a
possible Jacobite agent, we naturally expect to find
our
contemporary
official documents about his examination by the
Government.
Scores of such records exist, containing the
questions
put to,
and the answers given by, suspected persons. But we
vainly
hunt
through the Newcastle MSS., and the State Papers,
Domestic, in
the
Record Office, for a trace of the examination of
Saint-Germain.
I am
not aware that he was anywhere left his trail in
official
documents;
he lives in more or less legendary memoirs, alone.
At what
precise date Saint-Germain became an intimate of
Louis XV.,
the Duc
de Choiseul, Madame de Pompadour, and the Marechal
de
Belle-Isle,
one cannot ascertain. The writers of memoirs are the
vaguest
of mortals about dates; only one discerns that
Saint-
Germain
was much about the French Court, and high in the
favor of
the
King, having rooms at Chambord, during the Seven
Years' War,
and
just before the time of the peace negotiations of
1762-1763.
The art
of compiling false or forged memoirs of that period
was
widely
practiced; but the memoirs of Madame du Hausset, who
speaks
of
Saint-Germain, are authentic. She was the widow of a
poor man
of
noble family, and was one of two femmes de chambre
of Madame de
Pompadour.
Her manuscript was written, she explains, by aid of
a
brief
diary which she kept during her term of service. One
day M.
Senac
de Meilhan found Madame de Pompadour's brother, M.
de
Marigny,
about to burn a packet of papers. "It is the
journal," he
said,
"of a femme de chambre of my sister, a good,
kind woman." De
Meilhan
asked for the manuscript, which he later gave to Mr.
Crawford,
one of the Kilwinning family, in Ayrshire, who later
helped
in the escape of Louis XVI. and Marie Antoinette to
Varennes,
where they were captured. With the journal of Madame
du
Hausset
were several letters to Marigny on points of
historical
anecdote.[1]
[1] One
of these gives Madame de Vieux-Maison as the author
of a
roman a
clef, Secret Memoirs of the Court of Persia, which
contains
an
early reference to the Man in the Iron Mask (died
1703). The
letter-writer
avers that D'Argenson, the famous minister of Louis
XV.,
said that the Man in the Iron Mask was really a
person fort
peu de
chose, 'of very little account,' and that the Regent
d'Orleans
was of the same opinion. This corroborates my
theory,
that
the Mask was merely the valet of a Huguenot
conspirator, Roux
de
Marsilly, captured in England, and imprisoned
because he was
supposed
to know some terrible secret--which he knew nothing
about.
See The
Valet's Tragedy, Longmans, 1903.
Crawford
published the manuscript of Madame du Hausset, which
he
was
given by de Meilhan, and the memoirs are thus from
an authentic
source.
The author says that Louis XV. was always kind to
her, but
spoke
little to her, whereas Madame de Pompadour remarked,
"The
King
and I trust you so much that we treat you like a cat
or a dog,
and
talk freely before you."
As to
Saint-Germain, Madame du Hausset writes: "A man
who was as
amazing
as a witch came often to see Madame de Pompadour.
This was
the
Comte de Saint-Germain, who wished to make people
believe that
he had
lived for several centuries. One day Madame said to
him,
while
at her toilet, "What sort of man was Francis
I., a king whom
I could
have loved?" "A good sort of fellow,"
said Saint-Germain;
"too
fiery--I could have given him a useful piece of
advice, but he
would
not have listened." He then described, in very
general
terms,
the beauty of Mary Stuart and La Reine Margot.
"You seem to
have
seen them all," said Madame de Pompadour,
laughing.
"Sometimes,"
said Saint-Germain, "I amuse myself, not by
making
people
believe, but by letting them believe, that I have
lived from
time
immemorial." "But you do not tell us your
age, and you give
yourself
out as very old. Madame de Gergy, who was wife of
the
French
ambassador at Venice fifty years ago, I think, says
that she
knew
you there, and that you are not changed in the
least." "It is
true,
Madame, that I knew Madame de Gergy long ago."
"But
according
to her story you must now be over a century
old." "It
may be
so, but I admit that even more possibly the
respected lady
is in
her dotage."
At this
time Saint-Germain, says Madame du Hausset, looked
about
fifty,
was neither thin nor stout, seemed clever, and
dressed
simply,
as a rule, but in good taste. Say that the date was
1760,
Saint-Germain
looked fifty; but he had looked the same age,
according
to Madame de Gergy, at Venice, fifty years earlier,
in
1710.
We see how pleasantly he left Madame de Pompadour in
doubt
on that
point.
He
pretended to have the secret of removing flaws from
diamonds.
The
King showed him a stone valued at 6,000
francs--without a flaw
it
would have been worth 10,000. Saint-Germain said
that he could
remove
the flaw in a month, and in a month he brought back
the
diamond--flawless.
The King sent it, without any comment, to his
jeweler,
who gave 9,600 francs for the stone, but the King
returned
the
money, and kept the gem as a curiosity. Probably it
was not
the
original stone, but another cut in the same fashion,
Saint-
Germain
sacrificing 3,000 or 4,000 francs to his practical
joke.
He also
said that he could increase the size of pearls,
which he
could
have proved very easily--in the same manner. He
would not
oblige
Madame de Pompadour by giving the King an elixir of
life: "I
should
be mad if I gave the King a drug." There seems
to be a
reference
to this desire of Madame de Pompadour in an unlikely
place,
a letter of Pickle the Spy to Mr. Vaughan (1754)!
This
conversation
Madame du Hausset wrote down on the day of its
occurrence.
Both
Louis XV. and Madame de Pompadour treated Saint-Germain
as a
person
of consequence. "He is a quack, for he says he
has an
elixir,"
said Dr. Quesnay, with medical skepticism.
"Moreover, our
master,
the King, is obstinate; he sometimes speaks of
Saint-
Germain
as a person of illustrious birth."
The age
was skeptical, unscientific, and, by reaction,
credulous.
The
philosophes, Hume, Voltaire, and others, were
exposing, like an
ingenious
American gentleman, "the mistakes of
Moses." The Earl of
Marischal
told Hume that life had been chemically produced in
a
laboratory,
so what becomes of Creation? Prince Charles, hidden
in
a
convent, was being tutored by Mlle. Luci in the
sensational
philosophy
of Locke, "nothing in the intellect which does
not come
through
the senses"--a queer theme for a man of the
sword to study.
But,
thirty years earlier, the Regent d'Orleans had made
crystal-
gazing
fashionable, and stories of ghosts and second-sight
in the
highest
circles were popular. Mesmer had not yet appeared,
to give
a fresh
start to the old savage practice of hypnotism;
Cagliostro
was not
yet on the scene with his free-masonry of the
ancient
Egyptian
school. But people were already in extremes of doubt
and
of
belief; there might be something in the elixir of
life and in
the
philosopher's stone; it might be possible to make
precious
stones
chemically, and Saint-Germain, who seemed to be over
a
century
old at least, might have all these secrets.
Whence
came his wealth in precious stones, people asked,
unless
from
some mysterious knowledge, or some equally
mysterious and
illustrious
birth?
He
showed Madame de Pompadour a little box full of
rubies, topazes,
and
diamonds. Madame de Pompadour called Madame du
Hausset to look
at
them; she was dazzled, but skeptical, and made a
sign to show
that
she thought them paste. The Count then exhibited a
superb
ruby,
tossing aside contemptuously a cross covered with
gems.
"That
is not so contemptible," said Madame du Hausset,
hanging it
round
her neck. The Count begged her to keep the jewel;
she
refused,
and Madame de Pompadour backed her refusal. But
Saint-
Germain
insisted, and Madame de Pompadour, thinking that the
cross
might
be worth forty louis, made a sign to Madame du
Hausset that
she
accept. She did, and the jewel was valued at 1,500
francs--
which
hardly proves that the other large jewels were
genuine,
though
Von Gleichen believed they were, and thought the
Count's
cabinet
of old masters very valuable.
The
fingers, the watch, the snuffbox, the shoe-buckles,
the garter
studs,
the solitaires of the Count, on high days, all
burned with
diamonds
and rubies, which were estimated, one day, at
200,000
francs.
His wealth did not come from cards or swindling--no
such
charges
are ever hinted at; he did not sell elixirs, nor
prophecies,
nor initiations. His habits do not seem to have been
extravagant.
One might regard him as a clever eccentric person,
the
unacknowledged child, perhaps, of some noble, who
had put his
capital
mainly into precious stones. But Louis XV. treated
him as
a
serious personage, and probably knew, or thought he
knew, the
secret
of his birth. People held that he was a bastard of a
king
of
Portugal, says Madame du Hausset. Perhaps the most
ingenious
and
plausible theory of the birth of Saint-Germain makes
him the
natural
son, not of a king of Portugal, but of a queen of
Spain.
The
evidence is not evidence, but a series of surmises.
Saint-
Germain,
on this theory, 'wrop his buth up in a mistry' (like
that
of
Charles James Fitzjames de la Pluche), out of regard
for the
character
of his royal mamma. I believe this about as much as
I
believe
that a certain Rev. Mr. Douglas, an obstreperous
Covenanting
minister, was a descendant of the captive Mary
Stuart.
However,
Saint-Germain is said, like Kaspar Hauser, to have
murmured
of dim memories of his infancy, of diversions on
magnificent
terraces, and of palaces glowing beneath an azure
sky.
This is
reported by Von Gleichen, who knew him very well,
but
thought
him rather a quack. Possibly he meant to convey the
idea
that he
was Moses, and that he had dwelt in the palaces of
the
Ramessids.
The grave of the prophet was never known, and Saint-
Germain
may have insinuated that he began a new avatar in a
cleft
of
Mount Pisgah; he was capable of it.
However,
a less wild surmise avers that, in 1763, the secrets
of
his
birth and the source of his opulence were known in
Holland.
The
authority is the Memoirs of Grosley (1813). Grosley
was an
archaeologist
of Troyes; he had traveled in Italy, and written an
account
of his travels; he also visited Holland and England,
and
later,
from a Dutchman, he picked up his information about
Saint-
Germain.
Grosley was a Fellow of our Royal Society, and I
greatly
revere
the authority of a F.R.S. His later years were
occupied in
the
compilation of his Memoirs, including an account of
what he did
and
heard in Holland, and he died in 1785. According to
Grosley's
account
of what the Dutchman knew, Saint-Germain was the son
of a
princess
who fled (obviously from Spain) to Bayonne, and of a
Portuguese
Jew dwelling in Bordeaux.
What
fairy and fugitive princess can this be, whom not in
vain the
ardent
Hebrew wooed? She was, she must have been, as
Grosley saw,
the
heroine of Victor Hugo's Ruy Blas. The unhappy
Charles II. of
Spain,
a kind of "mammet" (as the English called
the Richard II.
who
appeared up in Islay, having escaped from Pomfret
Castle), had
for his
first wife a daughter of Henrietta, the favorite
sister of
our
Charles II. This childless bride, after some ghostly
years of
matrimony,
after being exorcised in disgusting circumstances,
died
in
February, 1689. In May, 1690 a new bride, Marie de
Neuborg, was
brought
to the grisly side of the crowned mammet of Spain.
She,
too,
failed to prevent the wars of the Spanish Succession
by giving
an heir
to the Crown of Spain. Scandalous chronicles aver
that
Marie
was chosen as Queen of Spain for the levity of her
character,
and
that the Crown was expected, as in the Pictish
monarchy, to
descend
on the female side; the father of the prince might
be
anybody.
What was needed was simply a son of the QUEEN of
Spain.
She
had, while Queen, no son, as far as is ascertained,
but she had
a
favorite, a Count Andanero, whom she made minister
of finance.
"He
was not a born Count," he was a financier, this
favorite of the
Queen
of Spain. That lady did go to live in Bayonne in
1706, six
years
after the death of Charles II., her husband. The
hypothesis
is,
then, that Saint-Germain was the son of this
ex-Queen of Spain,
and of
the financial Count, Andanero, a man, "not born
in the
sphere
of Counts," and easily transformed by tradition
into a
Jewish
banker of Bordeaux. The Duc de Choiseul, who
disliked the
intimacy
of Louis XV. and of the Court with Saint-Germain,
said
that
the Count was "the son of a Portuguese Jew, WHO
DECEIVES THE
COURT.
It is strange that the King is so often allowed to
be
almost
alone with this man, though, when he goes out, he is
surrounded
by guards, as if he feared assassins
everywhere." This
anecdote
is from the Memoirs of Gleichen, who had seen a
great deal
of the
world. He died in 1807.
It
seems a fair inference that the Duc de Choiseul knew
what the
Dutch
bankers knew, the story of the Count's being a child
of a
princess
retired to Bayonne--namely, the ex-Queen of
Spain--and of
a
Portuguese-Hebrew financier. De Choiseul was ready
to accept the
Jewish
father, but thought that, in the matter of the royal
mother,
Saint-Germain
"deceived the Court."
A queen
of Spain might have carried off any quantity of the
diamonds
of Brazil. The presents of diamonds from her almost
idiotic
lord must have been among the few comforts of her
situation
in a
Court overridden by etiquette. The reader of Madame
d'Aulnoy's
contemporary account of the Court of Spain knows
what a
dreadful
dungeon it was. Again, if born at Bayonne about
1706, the
Count
would naturally seem to be about fifty in 1760. The
purity
with
which he spoke German, and his familiarity with
German
princely
Courts--where I do not remember that Barry Lyndon
ever met
him--are
easily accounted for if he had a royal German to his
mother.
But, alas! if he was the son of a Hebrew financier,
Portuguese
or Alsatian (as some said), he was likely, whoever
his
mother
may have been, to know German, and to be fond of
precious
stones.
That Oriental taste notoriously abides in the hearts
of
the
Chosen People.[1]
[1]
Voyage en Angleterre, 1770.
"Nay,
nefer shague your gory locks at me,
Dou
canst not say I did it,"
quotes
Pinto, the hero of Thackeray's Notch on the Axe.
"He
pronounced
it, by the way, I DIT it, by which I KNOW that Pinto
was
a
German," says Thackeray. I make little doubt
but that Saint-
Germain,
too, was a German, whether by the mother's side, and
of
princely
blood, or quite the reverse.
Grosley
mixes Saint-Germain up with a lady as mysterious as
himself,
who also lived in Holland, on wealth of an unknown
source,
and
Grosley inclines to think that the Count found his
way into a
French
prison, where he was treated with extraordinary
respect.
Von
Gleichen, on the other hand, shows the Count making
love to a
daughter
of Madame Lambert, and lodging in the house of the
mother.
Here
Von Gleichen met the man of mystery and became
rather intimate
with
him. Von Gleichen deemed him very much older than he
looked,
but did
not believe in his elixir.
In any
case, he was not a cardsharper, a swindler, a
professional
medium,
or a spy. He passed many evenings almost alone with
Louis
XV.,
who, where men were concerned, liked them to be of
good family
(about
ladies he was much less exclusive). The Count had a
grand
manner;
he treated some great personages in a cavalier way,
as if
he were
at least their equal. On the whole, if not really
the son
of a
princess, he probably persuaded Louis XV. that he
did come of
that
blue blood, and the King would have every access to
authentic
information.
Horace Walpole's reasons for thinking Saint-Germain
"not
a gentleman" scarcely seem convincing.
The Duc
de Choiseul did not like the fashionable Saint-Germain.
He
thought
him a humbug, even when the doings of the deathless
one
were
perfectly harmless. As far as is known, his recipe
for health
consisted
in drinking a horrible mixture called "senna
tea"--which
was
administered to small boys when I was a small
boy--and in not
drinking
anything at his meals. Many people still observe
this
regimen,
in the interest, it is said, of their figures.
Saint-
Germain
used to come to the house of de Choiseul, but one
day, when
Von
Gleichen was present, the minister lost his temper
with his
wife.
He observed that she took no wine at dinner, and
told her
that
she had learned that habit of abstinence from Saint-Germain;
that HE
might do as he pleased, "but you, madame, whose
health is
precious
to me, I forbid to imitate the regimen of such a
dubious
character."
Gleichen, who tells the anecdote, says that he was
present
when de Choiseul thus lost his temper with his wife.
The
dislike
of de Choiseul had a mournful effect on the career
of
Saint-Germain.
In
discussing the strange story of the Chevalier d'Eon,
one has
seen
that Louis XV. amused himself by carrying on a
secret scheme
of
fantastic diplomacy through subordinate agents,
behind the backs
and
without the knowledge of his responsible ministers.
The Duc de
Choiseul,
as Minister of Foreign Affairs, was excluded, it
seems,
from
all knowledge of these double intrigues, and the
Marechal de
Belle-Isle,
Minister of War, was obviously kept in the dark, as
was
Madame
de Pompadour. Now it is stated by Von Gleichen that
the
Marechal
de Belle-Isle, from the War Office, started a NEW
secret
diplomacy
behind the back of de Choiseul, at the Foreign
Office.
The
King and Madame de Pompadour (who was not initiated
into the
general
scheme of the King's secret) were both acquainted
with what
de
Choiseul was not to know--namely, Belle-Isle's plan
for secretly
making
peace through the mediation, or management, at all
events,
of
Holland. All this must have been prior to the death
of the
Marechal
de Belle-Isle in 1761; and probably de Broglie, who
managed
the regular old secret policy of Louis XV., knew
nothing
about
this new clandestine adventure; at all events, the
late Duc
de
Broglie says nothing about it in his book The King's
Secret.[1]
[1] The
Duc de Broglie, I am privately informed, could find
no clue
to the
mystery of Saint-Germain.
The
story, as given by Von Gleichen, goes on to say that
Saint-
Germain
offered to conduct the intrigue at the Hague. As
Louis XV.
certainly
allowed that maidenly captain of dragoons, d'Eon, to
manage
his hidden policy in London, it is not at all
improbable
that he
really intrusted this fresh cabal in Holland to
Saint-
Germain,
whom he admitted to great intimacy. To The Hague
went
Saint-Germain,
diamonds, rubies, senna tea, and all, and began to
diplomatize
with the Dutch. But the regular French minister at
The
Hague,
d'Affry, found out what was going on behind his
back--found
it out
either because he was sharper than other
ambassadors, or
because
a personage so extraordinary as Saint-Germain was
certain
to be
very closely watched, or because the Dutch did not
take to
the
Undying One, and told d'Affry what he was doing.
D'Affry wrote
to de
Choiseul. An immortal but dubious personage, he
said, was
treating
in the interests of France, for peace, which it was
d'Affry's
business to do if the thing was to be done at all.
Choiseul
replied in a rage by the same courier. Saint-Germain,
he
said,
must be extradited, bound hand and foot, and sent to
the
Bastille.
Choiseul thought that he might practice his regimen
and
drink
his senna tea, to the advantage of public affairs,
within
those
venerable walls. Then the angry minister went to the
King,
told
him what orders he had given, and said that, of
course, in a
case of
this kind it was superfluous to inquire as to the
royal
pleasure.
Louis XV. was caught; so was the Marechal de
Belle-Isle.
They
blushed and were silent.
It must
be remembered that this report of a private incident
could
only
come to the narrator, Von Gleichen, from de Choiseul,
with
whom he
professes to have been intimate. The King and the
Marechal
de
Belle-Isle would not tell the story of their own
discomfiture.
It is
not very likely that de Choiseul himself would blab.
However,
the anecdote avers that the King and the Minister
for War
thought
it best to say nothing, and the demand for Saint-Germain's
extradition
was presented at The Hague. But the Dutch were not
fond of
giving up political offenders. They let Saint-Germain
have
a hint;
he slipped over to London, and a London paper
published a
kind of
veiled interview with him in June 1760.
His
name, we read, when announced after his death, will
astonish
the
world more than all the marvels of his life. He has
been in
England
already (1743-17--?); he is a great unknown. Nobody
can
accuse
him of anything dishonest or dishonorable. When he
was here
before
we were all mad about music, and so he enchanted us
with his
violin.
But Italy knows him as an expert in the plastic
arts, and
Germany
admires in him a master in chemical science. In
France,
where
he was supposed to possess the secret of the
transmutation of
metals,
the police for two years sought and failed to find
any
normal
source of his opulence. A lady of forty-five once
swallowed
a whole
bottle of his elixir. Nobody recognized her, for she
had
become
a girl of sixteen without observing the
transformation!
Saint-Germain
is said to have remained in London but for a short
period.
Horace Walpole does not speak of him again, which is
odd,
but
probably the Count did not again go into society.
Our
information,
mainly from Von Gleichen, becomes very misty, a
thing
of
surmises, really worthless. The Count is credited
with a great
part in
the palace conspiracies of St. Petersburg; he lived
at
Berlin,
and, under the name of Tzarogy, at the Court of the
Margrave
of Anspach. Then he went, they say, to Italy, and
then
north
to the Landgrave Charles of Hesse, who dabbled in
alchemy.
Here he
is said to have died about 1780-85, leaving his
papers to
the
Landgrave but all is very vague after he disappeared
from Paris
in
1760. When next I meet Saint-Germain he is again at
Paris,
again
mysteriously rich, again he rather disappears than
dies, he
calls
himself Major Fraser, and the date is in the last
years of
Louis
Philippe. My authority may be caviled at; it is that
of the
late
ingenious Mr. Van Damme, who describes Major Fraser
in a book
on the
characters of the Second Empire. He does not seem to
have
heard
of Saint-Germain, whom he does not mention.
Major
Fraser, "in spite of his English (sic) name,
was decidedly
not
English, though he spoke the language." He was
(like Saint-
Germain)
"one of the best dressed men of the period. . .
. He
lived
alone, and never alluded to his parentage. He was
always
flush
of money, though the sources of his income were a
mystery to
everyone."
The French police vainly sought to detect the origin
of
Saint-Germain's
supplies, opening his letters at the post-office.
Major
Fraser's knowledge of every civilized country at
every period
was
marvelous, though he had very few books. "His
memory was
something
prodigious. . . . Strange to say, he used often to
hint
that
his was no mere book knowledge. "'Of course, it
is perfectly
ridiculous,'"
he remarked, with a strange smile, "'but every
now
and
then I feel as if this did not come to me from
reading, but
from
personal experience. At times I become almost
convinced that
I lived
with Nero, that I knew Dante personally, and so
forth.'"[1]
At the
major's death not a letter was found giving a clew
to his
antecedents,
and no money was discovered. DID he die? As in the
case of
Saint-Germain, no date is given. The author had an
idea
that
the major was "an illegitimate son of some
exalted person" of
the
period of Charles IV. and Ferdinand VII. of Spain.
[1] An
Englishman in Paris, vol. i., pp. 130-133. London,
1892.
The
author does not mention Saint-Germain, and may never
have heard
of him.
If his account of Major Fraser is not mere romance,
in
that
warrior we have the undying friend of Louis XV. and
Madame de
Pompadour.
He had drunk at Medmenham with Jack Wilkes; as
Riccio
he had
sung duets with the fairest of unhappy queens; he
had
extracted
from Blanche de Bechamel the secret of Goby de
Mouchy.
As
Pinto, he told much of his secret history to Mr.
Thackeray, who
says:
"I am rather sorry to lose him after three
little bits of
Roundabout
Papers."
Did
Saint-Germain really die in a palace of Prince
Charles of Hesse
about
1780-85? Did he, on the other hand, escape from the
French
prison
where Grosley thought he saw him, during the French
Revolution?
Was he known to Lord Lytton about 1860? Was he then
Major
Fraser? Is he the mysterious Muscovite adviser of
the Dalai
Lama?
Who knows? He is a will-o'-the-wisp of the
memoir-writers
of the
eighteenth century. Whenever you think you have a
chance of
finding
him in good authentic State papers, he gives you the
slip;
and if
his existence were not vouched for by Horace
Walpole, I
should
incline to deem him as Betsy Prig thought of Mrs.
Harris.
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